The doorway with a triangular pediment (left) provides access to the central room on the piano nobile, the main floor. In the loggia in front of the entrance, Rita Francesca Grandi explains the work on the frescoes.
In search of authenticity, I embark on a ‘pilgrimage’ to the Veneto, the heart of Renaissance architecture in Italy. I find myself captivated and filled with wonder by the human scale of the creations of master architect Andrea Palladio (1508–1580).